Index

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- 'Pacific gateway' (see Janet Collins), i. 03, p. 60-63.
- Pacific Pattern, Susanne Küchler, Graeme Were, Glenn Jowitt, Thames and Hudson, i. 11, p. 84 (see June Hill).
- PADA (Portobello Antique Dealers Association), i. 00, p. 45.
- 'Painted lady' (see Frida Kahlo), i. 06, p. 64-65 (see Chloë Sayer).
- 'Painterly Patterns: Artist Designed Textiles' (see Lesley Jackson), i. 09, p. 46-51.
- 'Painterly print' (see Celia Birtwell), i. 04, p. 62-65 (see Clare Lewis).
- Painting into Textiles (exh.), ICA, London, 1953, i. 09, p. 50.
- Painvin, Catherine (Tartine et Chocolat), i. 01, p. 10.
- Paksoy, Gonul, i. 07, p. 20-25.
- Palampore cloth, i. 06, p. 31.
- 'Palatable pastels' (see Brinda Gill), i. 00, p. 74-78.
- Palazzo Pucci, i. 04, p. 93.
- Palestine Costume Archive, i. 00, p. 9.
- Palestine Red Crescent Society, i. 01, p. 48, 49, ills. 04 and 05.
- Panama hats, i. 10, p. 37.
- Pank, Sarah (see Contemporary Craft Fair 2006), i. 11, p. 10.
- Pankha: Traditional Crafted Hand Fans of the Indian Subcontinent, Exh. Rev. (see Diana Woolf), i. 04, p. 87.
- Pankhurst, Sylvia, i. 01, p. 41.
- Paolozzi, Eduardo, i. 09, p. 50, 51.
- Paper cloth (see Shirin Guild), i. 05, p. 26.
- Paper pattern, i. 10, p. 24-25.
- 'Paper, scissors, style' (see Etienne Brunel), i. 04, p. 28 (see Jessica Hemmings).
- Papillon, Pierre Jacques, i. 05, p. 44.
- Paradise Mill, Macclesfield, i. 00, p. 30.
- Parasols, i. 01, p. 37.
- Paris, i. 05, p. 73-77.
- Parker, Rozsika: The Subversive Stitch, i. 01, p. 41.
- Parrish, Susan, i. 01, p. 44, 46.
- Parry, Victoria, i. 03, p. 20.
- Parsee Lady of Surat, i. 00, p. 12, ill.
- Parsons School of Design, New York, i. 01, p. 75.
- Passementerie, i. 03, p. 41.
- Pastec, New York, i. 01, p. 44, 47.
- Pavey, Ruth: Black British Style, Exh. Rev., i. 04, p. 86.
- Pearce, Susan M., i. 04, p. 54.
- Pearl Fishers (The), San Diego Opera (see Zandra Rhodes), i. 01, p. 9.
- 'Pelting down' (see Fur), i. 08, p. 20-21 (see Catherine Harper).
- 'Penpal' (see stationery), i. 08, p. 51 (see Jessica Hemmings).
- 'People in glass houses' (see Clare Lewis), i. 00, p. 70-73.
- People's History Museum, Manchester, i. 02, p. 22-23.
- Pepys, Samuel, i. 03, p. 42.
- 'Perennial (The): English Floral Fabric' (see Susan Collier), i. 06, p. 30-35.
- 'Perfect union: the marriage of gold and silk' (see Brinda Gill), i. 03, p. 30-35.
- Perrot, Xavier, i. 04, p. 10.
- Perry, Grayson, i. 00, p. 22-25.
- Persephone Books, i. 02, p. 24-25.
- Pettway, Arlonzia, i. 00, p. 19.
- Pettway, Jessie, i. 00, p. 19.
- Pettway, Loretta (2002), i. 00, p. 18, ill. 02, p. 19, ill. 05.
- Pettway, Mensie Lee, i. 00, p. 18.
- Phantom Twins (see Christine Borland), i. 02, p. 21.
- Philips-Levi, i. 00, p. 31.
- Phillips, Clare, i. 02, p. 31-32.
- Phillips, Penny, i. 00, p. 42.
- Philpot, Rachel: Wild: Fashion Untamed, Bk. Rev., i. 09, p. 83; 2121: the textile vision of Reiko Sudo and NUNO, Exh. Rev., p. 91; Fashioning Kimono: Dress and Modernity in early Twentieth Century Japan, Bk. Rev., i. 10, p. 83.
- Phulkari collection, The Calico Museum of Textiles, India, i. 00, p. 12.
- Piaggi, Anna: Fashion-ology, Exh. Rev. (see Catherine Harper), i. 10, p. 88.
- Picasso, Pablo, i. 09, p. 50, 51.
- 'Pick and mix' (see Marni), i. 06, p. 16-17 (see Sabrina Iken).
- Pickering, John, i. 03, p. 42.
- Piece Hall, Halifax, West Yorkshire, i. 02, p. 68.
- Piece of Cloth (A) (see Issey Miyake), i. 00, p. 56-57, ill. 01.
- Pierce, Jo: Can I cut it? Exh. Rev. (see Catherine Harper), i. 08, p. 90.
- 'Pin money: Haberdashery that reveals the changing face of design' (see Maggie Colwell), i. 10, p. 26-29.
- Pinder, Shirley, i. 03, p. 29.
- Piper, John, i. 02, p. 27; i. 09, p. 50, 51.
- Pitchuka, Srinivas (see Kalamkari), i. 11, p. 49.
- 'Playtime: Maria Blaisse allows herself and her audience freedom of expression' (see Jessica Hemmings), i. 07, p. 48-51.
- Pollack, Mark (see interview with Jessica Hemmings), i. 11, p. 52-53.
- Pollock, Jackson, i. 09, p. 46.
- Pompoms, i. 03, p. 44-46.
- Pope Pius V, i. 01, p. 17.
- Portobello Market, i. 00, p. 45-47.
- 'Portobello Road' (see Beth Smith), i. 00, p. 44-47.
- 'Potential Growth' (see Judith Reiter Weissman), i. 05, p. 40-41.
- Powers, Harriet, i. 04, p. 22.
- 'Practically perfect' (see Alison Morton), i. 05, p. 16-19 (see John Snelson).
- Prada, Miuccia, i. 03, p. 29; i. 05, p. 14-15 (see Miu Miu); i. 07, p. 17; i. 10, p. 56.
- Preiswerk, Gertrud (see Gunta Stölzl), i. 11, p. 58.
- 'Pretty perverse' (see Lesley Jackson), i. 02, p. 78-80.
- Prichard, Frances: Textile Treasures at the Glasgow School of Art, Bk. Rev., i. 10, p. 82.
- Prichard, Sue, i. 09, p. 4; 'Making the connection: Fiona Rutherford's journey to Japan', p. 56-59; A rock and a slow pace (Interview with Sue Lawty), i. 10, p. 62-65; 'Dodging and weaving: the Dovecot Studios', i. 11, p. 62-64.
- Pringle, i. 03, p. 27, ill. 07, p. 29.
- Print in Fashion, Marnie Fogg, Batsford (extract from Ch. 4), i. 10, p. 79, 83.
- Pritchard, Eleanor, i. 08, p. 7.
- Prom dresses, i. 04, p. 26-29.
- 'Promise' (see Prom dresses), i. 04, p. 26-29 (see Beth Smith).
- Pucci, Emilio, i. 10, p. 9.
- Puett, J. Morgan, i. 07, p. 36, ills. 02 and 03, p. 37, ill. 04, p. 38.
- Puotila, Ritva, i. 03, p. 49.
- Purl, Exh. Rev. (see Catherine Harper), i. 01, p. 90.
- Purl, New York, i. 01, p. 44, 46.