PREFACE BY NINA BAWDEN
Persephone Book no 3
'A very good novel indeed about the fragility and also the tenacity of love' wrote the Spectator about this 1953 novel by Dorothy Whipple, which was ignored fifty years ago because 'editors are going mad for action and passion' (as she was told by her publisher). But this last novel by a writer whose books had previously been bestsellers is outstandingly good by any standards. Apparently 'a fairly ordinary tale about the destruction of a happy marriage' (Nina Bawden in the Preface) yet 'it makes compulsive reading' in its description of an ordinary family ('Ellen was that unfashionable creature, a happy housewife') struck by disaster when the husband, in a moment of weak, mid-life vanity, runs off with a French girl. Dorothy Whipple is a superb stylist, with a calm intelligence in the tradition of Mrs Gaskell (both wrote in the Midlands and had similar preoccupations). 'The prose is simple, the psychology spot on' said the Telegraph, and John Sandoe Books commented: 'We have all delighted in this unjustly forgotten novel; it is well written and compelling.'
The endpaper is a1950s linen furnishing fabric by Ashley Havinden. It is based on drawings done in the 1930s when Ellen furnished her house; it combines a menacing feel with a hint of the domestic.
London based publisher Persephone Books reprints neglected fiction and non-fiction by mid-twentieth century (mostly) women writers. All of their128 books are intelligent, thought-provoking and beautifully written and are chosen to appeal to busy people wanting titles that are neither too literary nor too commercial. They publish novels, short stories, diaries, memoirs and cookery books; each has an elegant grey jacket, a ‘fabric’ endpaper with matching bookmark, and a preface by writers such as Jilly Cooper, David Kynaston and Elaine Showalter.