Skip to content

WELCOME TO OUR STORE

SUPPORT OUR WORK

  • HOME
  • MAGAZINE
    • CURRENT ISSUE
    • BACK ISSUES
    • FIND SELVEDGE
    • ORDER FAQS
    • CONTACT US
  • SUBSCRIBE
    • FOR YOURSELF
    • FOR SOMEONE ELSE
    • FOR AN INSTITUTION
    • FOR STUDENTS
    • SUBSCRIBER ACCESS
    • SUBSCRIBER FAQS
    • CONTACT US
  • SHOP
    • SELVEDGE GOODS
    • ARTISAN GOODS
    • MAGAZINES
    • WORKSHOPS
    • TALKS
    • MEET THE MAKER
    • BOOKS
    • ORDER FAQs
    • CONTACT US
  • LEARN
    • BOOK A WORKSHOP
    • BOOK A TALK
    • LISTEN TO A TALK
    • MEET THE MAKER
    • TRAVEL WITH US
    • EVENT FAQS
    • CONTACT US
  • ARTISANS
    • SHOP
      • ALL
      • CLOTHING
      • INTERIORS
      • ACCESSORIES
      • TOYS
    • EXPLORE
    • ACCESS TALKS
    • WATCH SLOW TV
    • LISTEN TO PLAYLIST
    • CONTACT US
  • COMMUNITY
    • READ OUR BLOG
    • JOIN OUR COMMUNITY
    • SLOW TV
    • LISTEN TO A PODCAST
    • VISIT A TEXTILE COLLECTION
    • SEE AN EXHIBITION
    • ENTER A PRIZE DRAW
    • MAKE A PROJECT
    • CONTACT US
  • COLLABORATE
    • ADVERTISE WITH US
    • WORK WITH US
    • WRITE FOR US
    • WRITE FOR THE BLOG
    • BECOME A STOCKIST
    • CONTACT US
    • SEE ARTISAN INFO
  • STORY
    • READ OUR STORY
    • GET TO KNOW US
    • READ ABOUT US
    • CONTACT US
Log in
  • Facebook
  • Pinterest
  • Instagram
  • YouTube
  • Vimeo
Selvedge Magazine
  • HOME
  • MAGAZINE
    • CURRENT ISSUE
    • BACK ISSUES
    • FIND SELVEDGE
    • ORDER FAQS
    • CONTACT US
  • SUBSCRIBE
    • FOR YOURSELF
    • FOR SOMEONE ELSE
    • FOR AN INSTITUTION
    • FOR STUDENTS
    • SUBSCRIBER ACCESS
    • SUBSCRIBER FAQS
    • CONTACT US
  • SHOP
    • SELVEDGE GOODS
    • ARTISAN GOODS
    • MAGAZINES
    • WORKSHOPS
    • TALKS
    • MEET THE MAKER
    • BOOKS
    • ORDER FAQs
    • CONTACT US
  • LEARN
    • BOOK A WORKSHOP
    • BOOK A TALK
    • LISTEN TO A TALK
    • MEET THE MAKER
    • TRAVEL WITH US
    • EVENT FAQS
    • CONTACT US
  • ARTISANS
    • SHOP
      • ALL
      • CLOTHING
      • INTERIORS
      • ACCESSORIES
      • TOYS
    • EXPLORE
    • ACCESS TALKS
    • WATCH SLOW TV
    • LISTEN TO PLAYLIST
    • CONTACT US
  • COMMUNITY
    • READ OUR BLOG
    • JOIN OUR COMMUNITY
    • SLOW TV
    • LISTEN TO A PODCAST
    • VISIT A TEXTILE COLLECTION
    • SEE AN EXHIBITION
    • ENTER A PRIZE DRAW
    • MAKE A PROJECT
    • CONTACT US
  • COLLABORATE
    • ADVERTISE WITH US
    • WORK WITH US
    • WRITE FOR US
    • WRITE FOR THE BLOG
    • BECOME A STOCKIST
    • CONTACT US
    • SEE ARTISAN INFO
  • STORY
    • READ OUR STORY
    • GET TO KNOW US
    • READ ABOUT US
    • CONTACT US
Log in Cart

Item added to your cart

Access Denied
IMPORTANT! If you’re a store owner, please make sure you have Customer accounts enabled in your Store Admin, as you have customer based locks set up with EasyLockdown app. Enable Customer Accounts
Drawn from another time

Drawn from another time

January 1, 2019
Share

Cornish textile artist and illustrator Elizabeth Loveday delights in the weird and wonderful and admits she’s generally attracted to dark, slightly odd or disturbing subjects. She makes surreal, often bizarre pictorial textiles inspired by local folk tales and her work ranges from images of mad-looking clowns, mournful performing half human beasts and real life, political activists. ‘I don’t want my work to be cute or beautiful,’ she says, adding, ‘I like things to be a bit dangerous and I want to challenge people’s ideas about what textiles should depict.’

It is unsurprising that Loveday’s Suffragette series, a group of textile portraits of some of the movement’s key figures, is a long way away from the group’s conventional depictions. The images are not direct copies of photographs but rather show Loveday’s imaginative interpretation of the Suffragette experience (both emotional and physical). In the process she turns this pantheon of political heroines into a series of real-life women.

For example, instead of showing figures such as the formidable Millicent Fawcett as calm and heroic in the face of masculine intransigence, she pictures her as tired and vulnerable, her hair a bird’s nest of grey and her mouth bruised. Loveday’s cameo of Flora Stevenson is haggard with violet shadows under her eyes – possibly an incipient black eye - and her image of Frances Buss shows the great advocate of women's education with a gaping hole where her mouth should be, perhaps in recognition of the way women's voices were silenced at the time.

The complete article is available in issue 67 Migration.  50% off back issues when you buy 2 or more issues. Use code JANUARY at checkout.

Back to blog

Leave a comment

Please note, comments need to be approved before they are published.

Invalid password
Enter

Quick links

  • SEARCH
  • ABOUT US
  • T&Cs
  • FAQs

Subscribe to our newsletter by entering your email address below. "I just wanted to say how much I admire your informative and inspirational newsletters - I always look forward to them!" Tricia, San Rafael, USA

  • Facebook
  • Pinterest
  • Instagram
  • YouTube
  • Vimeo
Payment methods
  • American Express
  • Diners Club
  • Discover
  • Maestro
  • Mastercard
  • Visa
© 2023, Selvedge Magazine Powered by Shopify
  • Choosing a selection results in a full page refresh.