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Pattern and Paradox: The Quilts of Amish Women

Pattern and Paradox: The Quilts of Amish Women

April 2, 2024
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In the late nineteenth century, Amish women adopted an artform already established within the larger American culture and made it distinctly their own, developing community and familial preferences, with women sharing work, skills, and patterns. The quilts in Pattern and Paradox were all made between 1880 and 1950 in communities united by faith, values of conformity and humility, and a rejection of “worldly” society. No specific guidelines governed quilt patterns or colours, so Amish women explored an uncharted territory, pushing cultural limitations by innovating within a community that values adherence to rules. Styles, patterns, and colour preferences eventually varied and distinguished the various settlements, but it was the local quilters who drove and set the standards.

Image: Unidentified, Center Diamond, ca. 1930, cotton and wool, 80 1⁄2 × 79 3⁄4 in. (204.5 × 202.6 cm), Smithsonian American Art Museum, Gift of Faith and Stephen Brown, 2022.4.1. Image above: Unidentified Maker​​, Crazy Star; ca. 1920​​, Arthur, Illinois​​, cotton and wool; 74 x 63 ½ in. (detail), Collection of Faith and Stephen Brown, Promised gift to the Smithsonian American Art Museum.

When Amish quilts traveled into the non-Amish world in the late twentieth century, they developed a dual identity: part icon of Amish culture, part abstract artwork, with art enthusiasts embracing them in part due to a perceived resemblance to modern paintings.......................................................

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