Issue 46 Souvenir
Selvedge Magazine
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May/June 2012

WITH THE ROYAL WEDDING LAST YEAR and the Diamond Jubilee in progress, monarchy is having a moment in the sun. And whether you’ll be watching the Thames Diamond Jubilee Pageant, hosting a street party or just taking advantage of the bank holiday and heading out of town, there’s no denying most of us welcome a reason to celebrate.
The coronation brought together the skills of designers, weavers, embroiderers and many others to create a spectacle that would be seen by more people than any previous royal pageant. As a result of television Elizabeth II was the first British Sovereign to be truly crowned “in the sight of the people”. Clare Lewis looks at the work of individual craftspeople during the preparations for the Coronation. Commissions are the lifeblood of the craft economy: events such as royal weddings and coronations provide opportunities for traditional skills to be showcased in their full glory. And though such occasions are in short supply, the infrastructure of our monarchy – the upkeep and repair of stately homes – is an important factor in creating the demand for traditional crafts. Weaver Felicity Irons, recently completed rush matting for the long gallery of Elizabethan mansion Hardwick Hall.
At the start of the five months of Diamond Jubilee celebrations, Queen Elizabeth II renewed her vow to serve, saying that she wanted to “Dedicate myself anew to your service”. For six decades poise and understated elegance have been the cornerstones of her reign. Much of her public persona was initially fashioned by two men, photographer Cecil Beaton, and designer Norman Hartnell. The latter was responsible for both her wedding and her coronation dress. Other elements of her image, such as her ubiquitous handbag, are more likely to have been her own invention. The contents of her bag though the subject of much speculation, remains a secret so Amy de la Haye sheds light of other historical handbags, and looks at them from a psychological point of view.
Queen Elizabeth II is the most travelled monarch in history with 256 official overseas visits – no doubt her luggage is impeccably packed. We’re not sure if Neil McAllister lines his suitcase with tissue but this issue he journeys to Pakistan, (the Queen visited in 1961) and discovers wonderful textiles. You’ll have to travel quite far to escape the Jubilee celebrations which are taking place worldwide. If you’ve decided to join in why not make your own souvenir like our pick of this year’s Graduating Students.
Polly Leonard, Founder
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A truly enjoyable read
This magazine is a joy to read on every level. It is well researched, interesting and beautifully written. It cleverly connects the distant past with cutting edge current practice and has inspired me to learn more about both. Now I want to read more!
Visually very satisfying and intellectually stimulating
I always find Selvedge Magazine visually very satisfying and intellectually stimulating. I have all the issues in my library and will have to find a good institution to donate then to when the time comes. I remember getting issue 00 at some conference or meeting in the US when you were first starting out. Bravo again for so many years of sharing the joy of textiles in all its varied forms with all of us.
Congratulations on your vision!
I’ve just been looking up your magazine, and absolutely love it! It seems like it knits together all the slices of delight that are left over in our soul when we are spent with our daily survival transactions…..congratulations on your vision!
Inspirational, Cultural, Educational
I am intriqued -- every issue of Selvedge. I am inspired toward my own work as an artist, as a weaver, as a designer, as a student of global artistry. Forever indebted.
Absolutely gobsmackingly gorgeous
I was expecting something nice, but I was in no way prepared for how absolutely gobsmackingly gorgeous and inspiring your magazine is. Wow and wow. Now I’m counting the minutes until my next paper copy arrives.
