Grayson Perry: The Vanity of Small Differences
Grayson Perry: The Vanity of Small Differences, open from 10 July to 8 December 2024 at the Pitzhanger Manor & Gallery shows, for the first time, the Turner-Prize-winning artist’s six large-scale tapestries displayed in the home that William Hogarth’s A Rake’s Progress, the inspiration behind Perry’s tapestries, were purchased for and displayed.
Image: Grayson Perry, Expulsion from Number 8 Eden Close, 2012. Arts Council Collection, Southbank Centre, London © Grayson Perry. Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from AlixPartners. Image above: Grayson Perry, The Upper Class at Bay, 2012. Arts Council Collection, Southbank Centre, London © Grayson Perry. Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from AlixPartners.
Sir Grayson Perry CBE RA Hon FRIBA is an internationally celebrated chronicler of contemporary life, drawing us into intricately designed works of art with wit and nostalgia. In his work, Perry tackles subjects that are universally human: identity, gender, social status, sexuality and religion. Autobiographical references—to the artist’s childhood, his family, and his cross-dressing—can be read in tandem with questions about décor and decorum, class and taste, and the status of the artist versus that of the artisan. The exhibition invites viewers to consider their own connections with the tapestries’ vivid storytelling and rich, allegorical imagery.
The set of monumental tapestries offer a contemporary re-reading of William Hogarth's A Rake's Progress, a series of eight satirical paintings depicting a riches-to-rags tale of Tom Rakewell in 18th-century London. Hogarth’s original paintings were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The Soanes subsequently moved with their art collections to Lincoln’s Inn Fields. However, Pitzhanger continues to display a full series of framed 18th century engravings of A Rake’s Progress in their original setting of the vibrant red walls of the Soane’s drawing room. Visitors to the exhibition will be in the unique position to be able to compare and contrast both intricately detailed morality tales in the home of Hogarth’s series.
Image: Grayson Perry, The Adoration of the Cage Fighters, 2012. Arts Council Collection, Southbank Centre, London © Grayson Perry. Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from AlixPartners.
Taking Hogarth’s famed series as a starting point, Perry’s tapestries depict a corresponding fable of class, taste and social mobility. Weaving the complex ‘class journey’ of the fictional protagonist, Tim Rakewell, the tapestries include many of the characters, incidents and objects Grayson Perry encountered on his journeys throughout Sunderland, Tunbridge Wells and The Cotswolds for the BAFTA award-winning television series All in the Best Possible Taste with Grayson Perry.
Grayson Perry said: “The tapestries tell the story of class mobility, for I think nothing has as strong an influence on our aesthetic taste as the social class in which we grow up. I am interested in the politics of consumerism and the story of popular design but, for this project, I focus on the emotional investment we make in the things we choose to live with, wear, eat, read, or drive. Class and taste run deep in our character—we care. This emotional charge is what draws me to a subject.”
The Vanity of Small Differences is jointly owned by the Arts Council Collection and the British Council Collection, gift of the artist and Victoria Miro Gallery, with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from Alix Partners.
Image: Grayson Perry, The Agony in the Car Park, 2012. Arts Council Collection, Southbank Centre, London © Grayson Perry. Gift of the artist and Victoria Miro Gallery with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from AlixPartners.
Grayson Perry: The Vanity of Small Differences is on show at Pitzhanger Manor & Gallery from 10 July to 8 December 2024.
Find out more and plan your visit:
www.pitzhanger.org.uk/whatson/grayson-perry
Sir Grayson Perry CBE RA Hon FRIBA is an internationally celebrated chronicler of contemporary life, drawing us into intricately designed works of art with wit and nostalgia. In his work, Perry tackles subjects that are universally human: identity, gender, social status, sexuality and religion. Autobiographical references—to the artist’s childhood, his family, and his cross-dressing—can be read in tandem with questions about décor and decorum, class and taste, and the status of the artist versus that of the artisan. The exhibition invites viewers to consider their own connections with the tapestries’ vivid storytelling and rich, allegorical imagery.
The set of monumental tapestries offer a contemporary re-reading of William Hogarth's A Rake's Progress, a series of eight satirical paintings depicting a riches-to-rags tale of Tom Rakewell in 18th-century London. Hogarth’s original paintings were bought by Sir John Soane’s wife 222 years ago to be displayed at Pitzhanger. The Soanes subsequently moved with their art collections to Lincoln’s Inn Fields. However, Pitzhanger continues to display a full series of framed 18th century engravings of A Rake’s Progress in their original setting of the vibrant red walls of the Soane’s drawing room. Visitors to the exhibition will be in the unique position to be able to compare and contrast both intricately detailed morality tales in the home of Hogarth’s series.
Taking Hogarth’s famed series as a starting point, Perry’s tapestries depict a corresponding fable of class, taste and social mobility. Weaving the complex ‘class journey’ of the fictional protagonist, Tim Rakewell, the tapestries include many of the characters, incidents and objects Grayson Perry encountered on his journeys throughout Sunderland, Tunbridge Wells and The Cotswolds for the BAFTA award-winning television series All in the Best Possible Taste with Grayson Perry.
Grayson Perry said: “The tapestries tell the story of class mobility, for I think nothing has as strong an influence on our aesthetic taste as the social class in which we grow up. I am interested in the politics of consumerism and the story of popular design but, for this project, I focus on the emotional investment we make in the things we choose to live with, wear, eat, read, or drive. Class and taste run deep in our character—we care. This emotional charge is what draws me to a subject.”
The Vanity of Small Differences is jointly owned by the Arts Council Collection and the British Council Collection, gift of the artist and Victoria Miro Gallery, with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from Alix Partners.
Grayson Perry: The Vanity of Small Differences is on show at Pitzhanger Manor & Gallery from 10 July to 8 December 2024.
Find out more and plan your visit:
www.pitzhanger.org.uk/whatson/grayson-perry